4 Hände

(four hands)
scenic composition (2016–20)
in dialogue with Plato’s Symposion
for guitar, violoncello, accordion four hands
and an extended voice, 75 min.
by CHEN Chengwen + Tobias Klich
[more …]


(Goya triptych)
scenic composition with video (2013–20)
in dialogue with Los Caprichos by Francisco de Goya, 37 min.
[more …]

Uns wirst du nicht mehr los

(You will never get rid of us)
documentary music theater (2013–15)
for guitar, 2 trombones, 2 actors, video and audio, 80 min.
composition: Tobias Klich
text and direction: Cornelia Heger
[more …]


for string quartet (2023), 80 seconds
for Katrin and Werner Rabus on their 80th birthday
by CHEN Chengwen + Tobias Klich
[more …]

Die Rückseite der Gedanken

for accordion and guitar (2022–23), 18 min.
[more …]


(Butterfly Dream)
in dialogue with Zhuangzi
for string quartet (2020–21), 12 min.
[more …]

Verborgenes Zeigen

for (amplified) tanbur (2018), 7 min.
[more …]

Die Wiederaufnahme der Zeit

(The revival of time)
A dialogue with Violin tuned D.E.A.D. by Bruce Nauman
for violin with video- or audioplayback (2005–06/2015), 10 min.
[more …]

grüntrübe Ritornelle beim Verlassen des Territoriums

(Murky green ritornellos when leaving the territory)
for prepared, amplified guitar and sound direction, 15 min.
[more …]

ins Herz buchstabiert

(Spelt Into the Heart)
for accordion (2011), 4 min.
[more …]

PLAN P: eine Archäologie des Schweigens

(PLAN P: an archaeology of silence)
for guitar, ensemble and audioplayback, text: Kathrin Franke, 19 min.
commission by BHF-Bankstiftung for Ensemble Modern / Frankfurter Positionen 2011
[more …]

Jagd- und Flugübungen

(Hunting and flying exercises)
for mandolin and guitar-orchestra (2011), 15 min.
[more …]

Prayer for Taiwan

video / audiovisual composition for Lâm-koán ensemble (2020-24), 6 min.
[more …]

Palast der Lose des Lebens

(Palace of the Lots of Life)
a sound installation in dialogue with Leibniz, Deleuze and Bach (2022)
[more …]

Die Stimme des Glaskörpers

(The voice of the vitreous)
Sigune von Osten is reading Paul Celans poem Umsonst malst du Herzen ans Fenster,
a sound installation with a transducer on glas (2016)
[more …]

ungestörter Kunstgenuss? (Musique pour Ubu)

(undisturbed enjoyment of art?)
Sound installation in dialogue with Bernd Alois Zimmermann’s Musique pour les soupers du Roi Ubu
for 8 loudspeakers in the foyer of the Hanover Opera House (2014)
[more …]


(Bird catcher)
6-channel sound installation with 28 miniature loudspeakers in 5 bird cages and 1 headphone (2013)
in dialogue with Robert Schumann’s Bird as Prophet
[more …]

Platz der Weltbeobachtung

(Square of world observation)
temporary, site-specific sound installation for 16 loudspeakers on the square of the world exhibition in Hanover (2012)
[more …]

Der Künstler sagt, es geht um das Thema Angst

(The artist says it is about the theme of fear)
Sound sculpture (2010–11)
[more …]

Leere Spiegel I

(Empty mirrors I)
Oil on canvas, 50 x 70 cm (2017)
[more …]

Leere Spiegel II

(Empty mirrors II)
Oil on canvas, 40 x 40 cm (2017)
[more …]

Leere Spiegel III

(Empty mirrors III)
Oil on canvas, 40 x 40 cm (2013)
[more …]

Leere Spiegel IV

(Empty mirrors IV)
Oil on canvas, 50 x 70 cm (2014)
[more …]

Leere Spiegel V

(Empty mirrors V)
Oil on canvas, 60 x 80 cm (2010)
[more …]

Leere Spiegel VI

(Empty mirrors VI)
Oil on canvas, 70 x 90 cm (2011)
[more …]

Leere Spiegel VII

(Empty mirrors VII)
Oil on canvas, 70 x 90 cm (2017)
[more …]

Leere Spiegel VIII

(Empty mirrors VII)
Oil on canvas, 30 x 40 cm (2012)
[more …]

Leere Spiegel IX

(Empty mirrors IX)
Oil on canvas, 50 x 70 cm (2017)
[more …]

Leere Spiegel X

(Empty mirrors X)
Oil on canvas, 50 x 70 cm (2010)
[more …]

Leere Spiegel XI

(Empty mirrors XI)
Oil on canvas, 50 x 70 cm (2009)
[more …]