4 Hände

(four hands)
scenic composition (2016–20)
in dialogue with Plato’s Symposion
for guitar, violoncello, accordion four hands
and an extended voice, 75 min.
by CHEN Chengwen + Tobias Klich
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Goya-Triptychon

(Goya triptych)
scenic composition with video (2013–20)
in dialogue with Los Caprichos by Francisco de Goya, 37 min.
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Uns wirst du nicht mehr los

(You will never get rid of us)
documentary music theater (2013–15)
for guitar, 2 trombones, 2 actors, video and audio, 80 min.
composition: Tobias Klich
text and direction: Cornelia Heger
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PLAN P: eine Archäologie des Schweigens

(PLAN P: an archaeology of silence)
for guitar, ensemble and audioplayback, text: Kathrin Franke, 19 min.
commission by BHF-Bankstiftung for Ensemble Modern / Frankfurter Positionen 2011
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Jagd- und Flugübungen

(Hunting and flying exercises)
for mandolin and guitar-orchestra (2011), 15 min.
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Schmetterlingstraum

(Butterfly Dream)
in dialogue with Zhuangzi
for string quartet (2020–21), 12 min.
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Verborgenes Zeigen

for (amplified) tanbur (2018)
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Die Wiederaufnahme der Zeit

(The revival of time)
A dialogue with Violin tuned D.E.A.D. by Bruce Nauman
for violin with video- or audioplayback (2005–06/2015), 10 min.
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grüntrübe Ritornelle beim Verlassen des Territoriums

(Murky green ritornellos when leaving the territory)
for prepared, amplified guitar and sound direction, 15 min.
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Palast der Lose des Lebens

(Palace of the Lots of Life)
a sound installation in dialogue with Leibniz, Deleuze and Bach (2022)
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Die Stimme des Glaskörpers

(The voice of the vitreous)
Sigune von Osten is reading Paul Celans poem Umsonst malst du Herzen ans Fenster,
a sound installation with a transducer on glas (2016)
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ungestörter Kunstgenuss? (Musique pour Ubu)

(undisturbed enjoyment of art?)
Sound installation in dialogue with Bernd Alois Zimmermann’s Musique pour les soupers du Roi Ubu
for 8 loudspeakers in the foyer of the Hanover Opera House (2014)
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Vogelfänger

(Bird catcher)
6-channel sound installation with 28 miniature loudspeakers in 5 bird cages and 1 headphone (2013)
in dialogue with Robert Schumann’s Bird as Prophet
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Platz der Weltbeobachtung

(Square of world observation)
temporary, site-specific sound installation for 16 loudspeakers on the square of the world exhibition in Hanover (2012)
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Der Künstler sagt, es geht um das Thema Angst

(The artist says it is about the theme of fear)
Sound sculpture (2010–11)
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Leere Spiegel I

(Empty mirrors I)
Oil on canvas, 50 x 70 cm (2017)
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Leere Spiegel II

(Empty mirrors II)
Oil on canvas, 40 x 40 cm (2017)
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Leere Spiegel III

(Empty mirrors III)
Oil on canvas, 40 x 40 cm (2013)
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Leere Spiegel IV

(Empty mirrors IV)
Oil on canvas, 50 x 70 cm (2014)
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Leere Spiegel V

(Empty mirrors V)
Oil on canvas, 60 x 80 cm (2010)
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Leere Spiegel VI

(Empty mirrors VI)
Oil on canvas, 70 x 90 cm (2011)
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Leere Spiegel VII

(Empty mirrors VII)
Oil on canvas, 70 x 90 cm (2017)
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Leere Spiegel VIII

(Empty mirrors VII)
Oil on canvas, 30 x 40 cm (2012)
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Leere Spiegel IX

(Empty mirrors IX)
Oil on canvas, 50 x 70 cm (2017)
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Leere Spiegel X

(Empty mirrors X)
Oil on canvas, 50 x 70 cm (2010)
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Leere Spiegel XI

(Empty mirrors XI)
Oil on canvas, 50 x 70 cm (2009)
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Leere Spiegel XII

(Empty mirrors XII)
Oil on canvas, 50 x 70 cm (2008)
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Leere Spiegel XIII

(Empty mirrors XIII)
Oil on canvas, 50 x 70 cm (2008)
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neben dem Ohr das Auge

(Next to the ear, the eye)
Solo exhibition for the 9th Werner Kühl Prize for Painting
27.08. – 08.10.2017 | Syker Vorwerk – Centre for Contemporary Art
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Repertoire / Transcriptions (selection)

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